“There is something intriguing about the way metallic colours reflect off a canvas from different angles. This adds new dimensions not only to the piece, but also to the interior space in which the piece is hung and is something I incorporate in almost all of the works. My inspiration is drawn from my surrounding environment. Painting is about feeling, and I want people to draw different conclusions when they see my work”.
In his paintings, Rajan delves into the intricate relationship between various elements such as the skies, oceans, and natural environments, including the formation of rocks, cliffs, and weathered materials. His objective is to amalgamate distinct qualities of each element to offer viewers an immersive experience, elucidating the world's diverse dynamics and the contrasting interplay between these concepts.
Texture plays a significant role in Rajan's artistic endeavors, crafted from materials weathered by natural forces. He cherishes employing "untouched" and "natural" substances as the foundation for all his artworks, finding inspiration in the notion of blending numerous natural materials. The juxtaposition of textures, from roughness to smoothness, alongside the incorporation of reflective metallics, engenders compositions and structures that are truly distinctive. Weather, space, and seasonal influences shape the structure of each painting, guiding the interactions between different elements and materials.
Over the past year, Rajan has been experimenting with ink as a medium, viewing its utilization as invaluable to conveying the intended message and direction of his work. Employing air from his mouth to manipulate the ink establishes a more intimate connection between the artist, canvas, and medium. He finds pleasure in the heightened contrast resulting from the amalgamation of various mediums.
In this collection, Rajan endeavors to unite the intrinsic properties of the natural environment and materials. Purposeful marks and movements within the paintings evoke emotions associated with nature and the rhythmic forces of the outdoors. Additionally, he incorporates techniques to simulate surface "cracks," infusing elements of physicality and surface deterioration reminiscent of coastal environments.