The trouble with worrying so much about your security in the future is that you feel so insecure in the present
Harland Miller is a British artist, writer, and curator born in Yorkshire, England, in 1964. He is best known for his distinctive paintings and prints featuring bold and humorous text compositions, often in the style of vintage book covers. Miller's work combines elements of pop art, abstraction, and street art, and he often employs satire and wordplay to explore themes of identity, literature, and the human condition.
Miller grew up in Yorkshire and attended the University of London, where he studied art and literature. After completing his studies, he became involved in the vibrant art scene in London during the 1990s. He gained recognition as part of the Young British Artists (YBAs) movement, which included prominent artists such as Damien Hirst and Tracey Emin.
In the late 1990s, Miller began creating artworks inspired by the covers of Penguin Books and other vintage book designs. These works featured imagined titles with witty and ironic phrases, often incorporating elements of autobiography, popular culture references, and literary puns. The text compositions became a signature style of Miller's work, combining nostalgic imagery with contemporary commentary.
Miller's art has been exhibited internationally in renowned galleries and museums, including solo exhibitions at White Cube in London and galleries in New York, Berlin, and Hong Kong. His works have also been featured in group exhibitions alongside other notable artists.
In addition to his visual art practice, Harland Miller is an accomplished writer and author. He has published several novels, including "Slow Down Arthur, Stick to Thirty" (2000), "First I Was Afraid, I Was Petrified" (2002), and "The Ballad of Desmond Kale" (2005). Miller's writing often explores themes of identity, nostalgia, and cultural references, complementing his artistic practice.
Harland Miller's art continues to resonate with audiences worldwide, combining visual impact with clever wordplay and a satirical edge. His works provoke thought, humor, and contemplation, reflecting his unique perspective on literature, art, and the human experience.